“The ‘Temple of Time’ is a three-dimensional projection of historical chronography. In the temple, the vertical columns represent centuries, with those on the right showing names of important figures from the Old World while those on the left show figures from the New World. The floor shows a historical stream chart. The ceiling functions as a chart of biography.
The ‘Temple of Time,’ created in 1846 by the pioneering American girls’ educator Emma Willard, draws on the tradition of Renaissance “memory theaters,” mnemonic devices that allowed people to memorize information by imagining it as architectural details in a three-dimensional mental space.”
Illustration from Cartographies of Time by Daniel Rosenberg and Anthony Grafton.
(via Memorizing Historical Dates Using a Memory Palace — Mnemotechnics.org)

thufri:

Haruka Kojin - Contact Lens from “architectural environments for tomorrow - new spatial practices in architecture and art” at the Museum of Contemporary Art Tokyo 

kojin explores the distortion of reality through her newest piece, ‘contact lens’. two types of lenses are used, one completely flat and clear and the other with a warped surface to create interconnected circles of varying sizes. as the light travels through the acrylic, the images on the other side are flipped and contorted, changing the experience of the space. since the elements are clear with no frames or distinct features of its own, the physical material merges into the environment, only visible through the transformation it causes.

“On the occasion of the Gallery Weekend in Berlin, the Galerie Michael Haas will open its exhibition with works, or rather boxes, by Charles Matton. The boxes seduce the viewer into an idiosyncratic, imaginary and to some extent very bizarre world. 
How can reality be portrayed? Matton posed this question again and again and his preoccupation with it characterises the high quality of his works. The first boxes were created in the late seventies and were a further attempt to seek an answer to his question. Initially an instrument of support for photographic and painterly projects, they developed their own artistic independence and autonomy. The puppet theatre-like boxes show rooms such as Alberto Giacometti’s studio, a library, bedroom and imagined spaces with bizarre sculptures. The viewers immerse themselves in this microcosmos and are both perplexed and fascinated by the attention to detail and the perfection of the replicas and the objects inside them. Matton has succeeded in leading the viewer into a three-dimensional “paradise of the imagination”. Charles Matton was born in 1933 in Paris, where he also died in 2008.”
Source text: Robert Fleck, der Blick (the gaze)
(via Charles Matton - Galerie Michael Haas - English X)
(more at  Junkculture: Charles Matton: Enclosures)
Shard of Light - James Nizam, 2011
James Nizam’s “Trace Heavens” is a series of black and white photographs depicting the transformation of darkened rooms into uncanny light sculptures. Manipulating sunlight via perforated and sliced walls, and with the aid of small mirrors fastened to ball joints for easy pivoting, Nizam creates images that bend our perception of reality.
(via Junkculture: James Nizam: Trace Heavens)

nymoon:

Dust

“Dust” explores the conditions and relevance of empty architectural spaces in Egypt, presenting an entwined dualism: dust as materiality that layers the city, literally tracing the passage of time upon urban objects – but also as a temporal metaphor that registers these changes on the level of memories, both past and present.

Architecture constructed in Egypt in the late 19th and early 20th centuries – usually referred to as ‘Cosmopolitan Architecture’ – is rapidly succumbing to neglect, a real estate frenzy and the overpopulation of the cities. These factors lend particular urgency to Nikolskaya’s documentation of these spaces. Since she first initiated this project in 2006, a number of the locations depicted in her work have been demolished, while others have gone through a process of renovation and modernization.

On view at the Townhouse First Floor Gallery (Hussein El Me’mar Pasha St, off Mahmoud Basyouni St, Cairo, Egypt) from May 6 through June 13

turnofthecentury:

 The Sea of Steps [Stairs to Chapter House - Wells Cathedral] 1903 by Frederick H. Evans
photogravure [also as sepia platinum print]
(via suckerPUNCH » iris van HERPEN)
iris van HERPEN /// 2012 /// “Micro,” Paris Haute Couture
In addition to working with United Nude on a shoe titled Fang, Micro also saw van Herpen collaborating with designer Stephen Jones, artist Bart Hess, architect Isaie Bloch, and graphic designer Tara Doughans.
Fabrication of the Isaie Bloch assisted design was achieved on 3D printers at Materialise’s Belgian headquarters (using laser sintering),  metal plating giving the appearance of antique bronze to the final product.

unknownskywalker:

Jewelry in motion: Kinetic architecture for your hands by Dukno Yoon

(via embrasse)

cjlsketch:

Takanori Aiba was born in 1953 in Yokohama, Japan. Studied Japanese traditional textiles and dyed clothing in Tokyo Zokei University. Built a first career as a freelance maze illustrator since 1978. His maze works were serialized in “POPYE”, Japanese fashion magazine for 10 years. Founded his own company,”Graphics and Designing Inc.”, in 1981. Expand a range of his career to a concept maker and art director for architectural spaces. Total production of “Shin Yokohama Chinese Noodle Museum”, “Muse Du Petit Prince De Saint Exupery A Hakone”, “NINJA AKASAKA“ were one of his major works.Since, 2003, He put his mind to create three dimensional art works which combines his knowledge and experience of both maze illustrator and architect. On September, 2010, He had a solo exhibition, “Adventures of the Eyes” at Kakiden Gallery, Tokyo Japan with his works.

(via Everything Is Its Own Reward: An All Over Coffee Collection | Parka Blogs)

A “highly detailed cross section of [Kowloon Walled City], drawn by a Japanese team, just before it was torn down.”

Opaque  by  andbamnan