Asta Nielsen in Den Sorte Drøm (The Black Dream), 1911

The young circus performer Stella is adored by two men: An earl and a jeweler. She fancies the earl the most, but at some point the jeweler made advances to her and the earl hits him. The jeweler challenges the earl - to a card game. After some luck the earl loses again and again. At the end he has to sign an instrument of debt of 85000 Mark. He buys a gun with the intent to commit suicide. Stella discovers the gun and takes it away from him. Stella goes to the jewelers and steals a necklace. The jeweler sees it in a mirror but doesn’t stop her. Instead he follows her. She meets with the earl and gives him the necklace and tells him to sell it. After they part, the jeweler grabs her and confronts her with her misdeed. He doesn’t hand her over to the police, though he gets an opportunity. Instead he compels her to have dinner with him. The earl sells the necklace to a wholesale jeweller. The jeweller buys back the necklace and gets a testimonial from the wholesale jeweller about the events. Stella leaves the earl for her dinner appointment but forgets her handbag in which the earl finds the gun and a note leading him to the jewellers house. The earl shoots Stella. Just before dying she hands him the testimonial.

(via theloudestvoice)

thegirlcantdance:

Adventures in Androgyny: Mary Pickford
“High  fashion portrait view of Elissa Landi, the sultry and sophisticated  star who was rumored to be Austrian royalty. By Ruth Harriet Louise.”
(via eBay - grapefruitmoongallery)
I need this dress. Also one in black.
maudelynn:

Still from the Red Spectre/ Le Spectre Rouge c. 1907
dreigroschenoper:

 
Small fragment of a lost film in Kinemacolor, “How to Live 100 Years” (1913), starring Lillian Russell. This appears to be the only surviving footage of Russell in colour.
Finally got around to making my first gif.

theloudestvoice:

Above: The Roxy Theatre in 1927. An enormous movie palace built in New York City during the 20s, it had its grand opening on March 11, 1927 with the premiere of Gloria Swanson’s new film The Love of Sunya. Swanson both produced and starred in the movie.

Below: Gloria Swanson standing in the ruins of the Roxy Theatre after demolition (wearing $170,000 worth of jewelry, bless her heart!), October 1960.

(top image via : bottom image by Eliot Elisofon for LIFE)

theloudestvoice:

Maria Corda as Helen in The Private Life of Helen of Troy, 1927
oldhollywood:

Brigitte Helm in publicity still for L’Argent/Money (1928, dir. Marcel L’Herbier)
Interviewer: Her performance of the blind girl in Jeanne Ney is one of her most striking. I don’t feel Brigitte Helm is acting. I feel she is in a trance. That she has the power to throw herself into a trance and to move and speak and live a life quite outside her own experience.
G.W. Pabst: “Ah, you see. You have it. Do you know the scene when she walks with Jeanne Ney in the streets of Paris, she was almost killed. The actor driving the taxi was not a driver really, but had had to learn. He was not very sure of his steering. Brigitte Helm walked right in front of him. I had to run before the camera to save her. Do you know why? She was blind. She simply did not see it.”
via Close Up magazine (March 1929)
theloudestvoice:

Arlette Marchal, c. 1925
theloudestvoice:

Anna May Wong, Forty Winks, 1925
theloudestvoice:

Viola Dana
(via Updates « Conrad Veidt)
Anna
“Lately I’ve been thinking about Anna May Wong, the first Chinese-American actress to take Hollywood by storm, even though she was relegated to roles playing the stereotypical inscrutable dragon lady or the long-suffering mistress of some white guy. Her characters always met some sordid, unfortunate end, prompting her to joke that she had already ‘died a thousand deaths.’ ” (via Homo Faber: Anna)
Opaque  by  andbamnan